Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement.

Lírai dalszövegeivel, szüntelen kísérletezőkedvével és Bocskor Bíborka azonnal felismerhető, érzékeny előadásmódjával a Magashegyi Underground immár két évtizede a hazai alternatív pop egyik legeredetibb formációjának számít.

Why is the 400-year-old story of Romeo and Juliette, the world’s best known romantic tragedy, still so relevant today? Because love is eternal, the rebelliousness of youth persists, and the world is still filled with inexplicable contraditions.

The 1924 silent film by Buster Keaton, the deadpan burlesque master of the stony face who always took extraordinary risks both as an actor and a director, will be screened before the Müpa audience on this occasion with improvised organ accompaniment.

Miles Davis, one of the most recognisable figures in jazz history, would have celebrated his hundredth birthday in 2026. To mark the occasion, a star trumpet player in the world of contemporary jazz, Ambrose Akinmusire, has come together with the Brussels Jazz Orchestra to embark on a joint tour, honour the giant of the genre, pay tribute to his legacy, and go beyond it by creating new works and inventive arrangements that reimagine the Miles Davis’s genius in the context of modern jazz.

Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.

Although the concept behind the productions has always been a mature one, over the years the Ring has been rejuvenated within the framework of a constant idea and reborn in the details. Another permanent feature is the conducting method - one combining humanism with perfectionism - of music director Ádám Fischer.

Now celebrating its 30th anniversary, Söndörgő is Müpa Budapest’s Ensemble of the Season, which means it will be giving several concerts that break with tradition in the course of the 2025-26 season. Among these will be an evening founded on international collaboration that features three outstanding musicians from the world-renowned progressive jazz-funk-fusion band Snarky Puppy: Michael League, Jay Jennings, and Chris Bullock.

Das Rheingold is the introduction to the storyline, depicting the central conflict. Starting from a primeval state of peace, the opera shows how the original sin was committed, triggering a chain of events that eventually lead to complete annihilation.

The Oscar-winning composer Tan Dun’s landmark opera blends Eastern philosophy with the language of Western music. This is the first time the work will be heard in Hungary, and it will be conducted by the composer himself. Set in the 7th century, it tells the story of the passionate love of a Japanese prince and a Chinese princess, and of their fateful quest for the legendary The Classic of Tea by Lu Yu.

Wagner
Parsifal – festive musical stage play in three acts (German-language performance, with Hungarian surtitles)

Artistic collaborations between Müpa Budapest and the Munich Radio Orchestra have already delighted audiences with two Verdi rarities: I due Foscari in 2018 and another early Verdi opera, I Lombardi, which was performed in 2023 by an outstanding international cast of singers. On this occasion, chief conductor Ivan Repušić has chosen another gem, Simon Boccanegra.

Twenty-five years ago, four highly skilled French musicians decided to take the freedom of jazz and the pulsating sound of funk, and shape them into an entirely new concept by exploiting the possibilities offered by electronica. The experiment proved successful, and Electro Deluxe was born in Paris. Later, courtesy of American singer James Copley, the band discovered new vistas to explore.

Bea Palya’s series entitled “My Silks” has been running with great success since 2015. At these concerts, where she also performs with her excellent band, Palya always introduces a female vocalist less familiar to the Hungarian audience. The events focus on bridging musical worlds and the meeting of two voices, as the artists perform both their solo material and together in the form of duets.

Tárkány-Kovács Bálint verseit elsősorban a Tárkány Művek lemezeiről ismerhette meg a közönség, ám ezek csupán három évtizednyi költészetének töredékét mutatják föl. Általában megzenésített versekről van szó, itt azonban olyan dalokról, amelyek megmaradtak versnek, mert ének helyett a beszéd maradt elsődleges médiumuk.

Mozart was insatiably in love with life. He embraced everything considered “sinful”: wine, cards, billiards. And his passion extended to musical ornaments: flowery acciaccaturas, trills, cadences others dared not risk, and chromatic runs.

The organ, this instrument that is at once acoustic and mechanical in character, can evoke in us, through its sound alone or even merely on account of its sheer visual presence, a sense of vastness spanning immense distances. For this concert, however, the organ is joined by a saxophone and live electronics to blend elements of classical and contemporary music with jazz to produce an unclassifiable, improvisatory performance that makes this expansive horizon even more breathtaking than usual.

There can hardly be imagined in our time a work that conveys a more important message to humanity, as it debates the possible fate of the earth, about threats to the natural environment than Götterdämmerung does. Perhaps there is still time for us to return the ring to the Rhinemaidens.

Works by Bach, Vivaldi, Daquin, Mozart, Vierne and Antalffy-Zsiross

Miután a kétezres években meghódította az R’n’B világát – amit 14 Grammy-jelölés és egy Billboard Top 10-listás album is jelzett –, Ledisi mára a jazz egén is tündöklő csillaggá vált.

One of the organ’s most promising young stars and the winner of last year’s St Albans International Organ Competition, the Jena-born Alexis Grizard steps up as the soloist for this concert promising two monumental compositions. Ferenc Liszt’s most extensive organ work is often referred to as “The Organ Sonata in B minor”.

This programme is like a lavishly laid festive table set in the heart of Krakow: behind the dishes lie deep emotions, rich tradition and special musical seasonings. It kicks off with Stanisław Moniuszko’s fabulous fantasy overture, which combines a pinch of romance and a helping of fairy dust with lots of dramatic magic.

A band committed to modernising Indian classical music, Araj consists of five young musicians considered in their homeland to be the outstanding performers of their generation. Formed by tabla player Ishaan Ghosh, all members are virtuosos of their instruments (tabla, sitar, bamboo flute, sarangi) and vocal techniques, and their interplay breathes new life into the Indian classical tradition.

Let’s imagine the opera house is just a few steps from the church, because tonight is the night the organ pipes will bring the most thrilling moments of opera to life.

The dice and the stopwatch will be coming out again at the Béla Bartók National Concert Hall as it hosts another round of musical ‘battle’. When we talk about instrumental duels in the Hungarian capital these days, it is no longer necessarily Bach and Marchand, or even Liszt and Thalberg, that we are thinking of, because we have our own riveting concert series right here at Müpa Budapest.

It is not exclusively Hungarians that Müpa Budapest honours with the prestigious title of Artist of the Season: foreign musicians, such as the Russian piano virtuoso Denis Matsuev, for instance, have also been distinguished in this way. The prerequisites are obvious: a high level of professional excellence and a fruitful relationship with Müpa Budapest.

One thing we know for certain about the 21st century is that it will be when the survivors of the Holocaust take their last breath. Every single one of them. Slowly but surely, they are leaving us to our own devices. “Do we want to forget what happened, as if it were a bad dream, or do we want to accept the events as human civilization’s greatest trauma?” the author Péter Esterházy once asked.

Age: 0-3 year

It has been a long time since we thought of Cécile McLorin Salvant as merely the promising winner of the 2010 Thelonious Monk International Jazz Competition. Her expressive voice capable of conveying profound emotions and refined sentiments, her virtuoso improvisation, and her brave, experimental combinations of styles have now come to represent a point of reference to a new generation.

Haydn: c-moll szonáta, Hob XVI/20
Liszt: Válogatás a késői műveiből
Schumann: Kreisleriana, op. 16

Age: 0-3 year

Jonas Kaufmann, a sokoldalú német tenor, a budapesti közönség régi kedvence emlékezetes sikerű Mein Wien (Az én Bécsem) című albumát követően új lemezén a magyarokra irányítja a reflektorfényt. A tervezett cím – Magische Töne: Berühmte Melodien aus Österreich-Ungarn, azaz Varázslatos hangok: híres dallamok az Osztrák–Magyar Monarchiából – utal arra, hogy a művész ezúttal a külföldön legismertebb magyar komponisták, köztük Goldmark Károly, Lehár Ferenc, Kálmán Imre népszerű műveiből válogat.

Sokféleképpen lehet tisztelegni a száz éve született Miles Davis emléke előtt, de kevesen mondhatják el magukról, hogy testközelből élték át a Miles-varázst, és a játszótársaként kaptak tőle örök érvényű útravalót.

What's wrong with Steve Vai or Joe Satriani playing Beethoven or Paganini on an electric guitar? (Or Itzhak Perlman playing a musical?) It’s just artistic crossover, right? Or might it be something else?