Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement.

Every year since 2008, this festive gala of Hungarian folk and world music has filled Müpa Budapest to bursting. On this occasion, the evening will be framed by the Moldavian and Gyimes dance house music of Róbert Kerényi and the Szigony Band, while the still-youthful musicians of the Sarjú Band are also experienced dance house performers.

This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?

A rainbow of sounds from the orchestra, enigmatic dialogues and mysterious riddles. Not to mention a treacherous dwarf and a glorious young hero. Who after slaying a dragon and tasting its blood, is able to understand the prophetic singing of a bird. And then crosses through a wall of fire to discover both the woman who is his mate and, through his love for her, fear.

There can hardly be imagined in our time a work that conveys a more important message to humanity, as it debates the possible fate of the earth, about threats to the natural environment than Götterdämmerung does. Perhaps there is still time for us to return the ring to the Rhinemaidens.

Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.

Nosferatu returns to walk among us: the renaissance of vampire stories on screen and stage is no coincidence, as they still encapsulate our deepest fears, desires, and questions about mortality.

Although the concept behind the productions has always been a mature one, over the years the Ring has been rejuvenated within the framework of a constant idea and reborn in the details. Another permanent feature is the conducting method - one combining humanism with perfectionism - of music director Ádám Fischer.

The Hungarian National Dance Ensemble’s 2024 production conceived during its time as Ensemble of the Season offers a glimpse into the unbridled and cheerful fun of the carnival.

It has been 30 years since Mónika Lakatos first emerged on the Hungarian and international music scenes and started building bridges between cultures through her art: an emblem and authentic representative of the Gypsy musical tradition, she has also become an integral part of the Hungarian music world as a whole.

Elgar: Pomp and Circumstance – March No. 1, Op. 39
Britten: Matinées musicales, Op. 24
Britten: Simple Symphony, Op. 4
Elgar: The Crown of India, Op. 66 – March of the Mogul Emperors

The globally beloved Portuguese genre of fado is already familiar to the Müpa audience, and now one of its greatest contemporary stars is visiting Budapest for the first time. Nominated for a Latin Grammy, Carminho is a true heir to her mother, Teresa Siqueira, and was celebrated as the genre’s great hope in 2005, even before she reached the age of 20.

Which contains more switches: the cockpit of a supersonic aeroplane or the console of the magnificent musical instrument that serves as the symbol of Müpa Budapest?

Jonas Kaufmann, a sokoldalú német tenor, a budapesti közönség régi kedvence emlékezetes sikerű Mein Wien (Az én Bécsem) című albumát követően új lemezén a magyarokra irányítja a reflektorfényt. A tervezett cím – Magische Töne: Berühmte Melodien aus Österreich-Ungarn, azaz Varázslatos hangok: híres dallamok az Osztrák–Magyar Monarchiából – utal arra, hogy a művész ezúttal a külföldön legismertebb magyar komponisták, köztük Goldmark Károly, Lehár Ferenc, Kálmán Imre népszerű műveiből válogat.

Why is the 400-year-old story of Romeo and Juliette, the world’s best known romantic tragedy, still so relevant today? Because love is eternal, the rebelliousness of youth persists, and the world is still filled with inexplicable contraditions.

Wandering Gypsies leading adventurous lives and gallant yet ridiculous nobles abusing their power are the main characters of the animated film Szaffi. This adaptation of Mór Jókai's classic novel The Gypsy Baron is by now familiar to several generations of Hungarians.

Purcell: Music for the Funeral of Queen Mary – March, Z. 860
Elgar: Cockaigne Overture, Op. 40
Britten: Peter Grimes, Op. 33a – Four Sea Interludes

Jazzbois first burst onto the scene at the 2017 Müpa Budapest Jazz Showcase. By 2023, they were hosting Kaláka as guests at the Festival Theatre, and, a couple of years later, they were conquering major international festivals: the Leverkusener Jazztage, the Montreux Jazz Festival, Jazz à Vienne, and the Montreal Jazz Festival, to name but a few. Jamie Cullum also dedicated an entire BBC radio show to the band, including a conversation with Viktor Sági.

Twenty-five years ago, four highly skilled French musicians decided to take the freedom of jazz and the pulsating sound of funk, and shape them into an entirely new concept by exploiting the possibilities offered by electronica. The experiment proved successful, and Electro Deluxe was born in Paris. Later, courtesy of American singer James Copley, the band discovered new vistas to explore.

After recording operas by Rameau and his contemporaries, György Vashegyi now conducts Armide, the masterpiece by Louis XIV’s court composer, Jean-Baptiste Lully. Lully’s final lyric tragedy premiered in 1686 and was performed at the Paris Opera until 1766, when it was overshadowed by Gluck’s version of the story based on the same libretto.

When we think about words being used to create art, that can mean two things: literature and song lyrics.

Elgar: Cello Concerto in E minor, Op. 85
Elgar: Seranade for Strings in E minor, Op. 20

Three stories taking place over the course of a single night in Memphis, seen from three different points of view. Jim Jarmusch has come up with an incredibly exciting storytelling technique for this film. (He has often chosen unusual narrative forms in his later works.) Furthermore, he only reveals it in the second part of the triptych.

Elgar: Violin Sonata in E minor, Op. 82
Britten: Suite for Violin and Piano, Op. 6

Nyíregyházi Cantemus Vegyeskar (karigazgató: Szabó Soma)
Budafoki Dohnányi Zenekar
Vezényel: Hollerung Gábor

An elegantly light repast that feels like it could be served in an aristocratic Viennese palace – under crystal chandeliers and accompanied by delicately tinkling cutlery and heavenly music.

The dice and the stopwatch will be coming out again at the Béla Bartók National Concert Hall as it hosts another round of musical ‘battle’. When we talk about instrumental duels in the Hungarian capital these days, it is no longer necessarily Bach and Marchand, or even Liszt and Thalberg, that we are thinking of, because we have our own riveting concert series right here at Müpa Budapest.

Let’s imagine the opera house is just a few steps from the church, because tonight is the night the organ pipes will bring the most thrilling moments of opera to life.

Silver Bear-winning filmmaker Dénes Nagy spent four years following György Kurtág’s everyday life with his camera. The resulting documentary, produced between 2021 and 2025, far exceeds the conventional boundaries of the genre.

How does the forest make music? What is the rhythm of the seasons? In this musical puppet show, the artists of the Liszt Ferenc Chamber Orchestra and the Bábozd Zöldre Company playfully present an encounter between nature and classical music.

Bea Palya’s series entitled “My Silks” has been running with great success since 2015. At these concerts, where she also performs with her excellent band, Palya always introduces a female vocalist less familiar to the Hungarian audience. The events focus on bridging musical worlds and the meeting of two voices, as the artists perform both their solo material and together in the form of duets.

Igazi különlegességgel készül a Müpa Valentin-napra: a Bartók Béla Nemzeti Hangversenyteremben eredeti zenéjével szólal meg Charlie Chaplin klasszikusa, a Nagyvárosi fények.

Born in Vilnius and with Armenian roots, the soprano Asmik Grigorian is one of the biggest favourites – and no longer an outside favourite – on today’s international opera scene.

In 2000, Lars von Trier broke free from the Dogme 95 movement he had helped create, and immediately won the Palme d’Or at Cannes.