Les deux Stabats Kocsis/3
Musical historicism is not just concerned with performing old compositions on period instruments: often, it also sees perfomers revive a tradition that music lovers have adored for centuries.
Musical historicism is not just concerned with performing old compositions on period instruments: often, it also sees perfomers revive a tradition that music lovers have adored for centuries.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date on this page: Thursday, March 28 2024 7:30PM
LES DEUX STABATS
Program:
GIOVANNI BATTISTA PERGOLESI: Stabat Mater, 1736, Vienna version: transcription by Eybler, Seyfried and Nicolai
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JOSEPH HAYDN: Stabat Mater, 1767, Hob. XXa:1
Emőke Baráth - soprano
Bernadett Nagy - alto
Márton Komáromi - tenor
Nikolay Borchev - baritone
Hungarian National Choir (Choirmaster: Csaba Somos)
Hungarian National Philharmonic Orchestra
Conductor: György Vashegyi
In the churches of 1780s Paris, Les Deux Stabats was the name used to advertise some extraordinarily popular concerts, where audiences listened to first Pergolesi’s, and then Hadyn’s Stabat Mater. Now, the artists of the Hungarian National Philharmonic, led by György Vashegyi, will pay tribute to this time-honoured custom.
Stabat Mater – The Mother Stood – is one of the best-known Catholic Latin hymns. It sings about the suffering of Jesus on the cross, though not from the perspective of the Redeemer, or the faithful, but of Mary, the pained, helpless mother living through the suffering of her son. It is thought to have been composed by the 13th century Italian mystic Jacopone da Todi. Giovanni Battista Pergolesi wrote his Stabat Mater in 1736, shortly before his death at the age of 26. It is not only the composer’s most celebrated church work, but also one of the most popular religious compositions in all of European musical history. Joseph Haydn’s own attempt at setting the hymn to music was completed 31 years later, in 1767. Though there are many differences from its predecessor – the Italian composer employed only two soloists, a soprano and an alto, Hadyn used a soprano alto, a tenor and a bass – Hadyn did use Pergolesi’s already popular work as a model for certain aspects of the piece. With György Vashegyi as conductor, the dual production will see an group of soloists take to the stage: Emőke Baráth - soprano, Bernadett Nagy - alto, Márton Komáromi - tenor and a Belarusian baritone Nikolay Borchev.
Újévi koncert a Vígszínházban Egy varázslatos este, ahol a zene a téli ünnepek minden színét megidézi. Vendég: Kökény Attila
It is probably impossible to summarize this miraculous story of Mowgli, Bagheera who escaped from the cage of the human society, the wise Baloo, the mysterious Kaa or the vengeful Shere Khan. The Jungle Book is about birth and death, solitude and partnership, about the magic of youth – so everything which can happen with a kid who had grown up with wolves.
Sahriár király szíve kővé dermedt – árulás és fájdalom zárta börtönbe a lelkét. Amikor elé vezetik Seherezádét, a rabnőt, minden megváltozik. A lány, hogy életét mentse, mesélni kezd.
Az álmok életre kelnek az Erkel színpadán! Ajándékozz karácsonyra élményt az Álomutazó mesés kalandjával az egész családnak! Jegyek kaphatók!
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