Jean-Guihen Queyras, Bijan Chemirani, Keyvan Chemirani and Sokratis Sinopoulos in Concert / BTF 2017
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Last event date: Thursday, April 06 2017 7:30PM
Marco Stroppa: Ay, there’s the rub
Ross Daly: Karsilamas
Sokratis Sinopoulos: Nihavent Semai
György Kurtág: 3 pieces from the Signs, Games and Messages series
Improvisation on Percussions
Lutosławski: Sacher Variations
Mohamed Reza Lotfi: Homayoun
Franck Leriche: 5 beat
Visite Nocturne
Improvisation on Cello and Lyra
Thrace – Sunday Morning
Hasapiko
Featuring: Jean-Guihen Queyras – cello, Bijan Chemirani, Keyvan Chemirani – tonbak, Sokratis Sinopoulos – lyra
Jean-Guihen Queyras, Canadian-born French cellist stole the heart of the Hungarian audience fifteen years ago when he recorded an exceptional CD with the works of Zoltán Kodály, Sándor Veress and György Kurtág. His enthusiasm and commitment to modern and contemporary music have not waned in the intervening time, and he has worked with the likes of Pierre Boulez, Bruno Mantovani and Jörg Widmann.
His concert programmes have included a large number of contemporary cello concertos, as those of Michael Jarrell and Johannes Maria Staud. In 2014 he played, and then recorded, Péter Eötvös’s Cello Concerto Grosso.
But then, it bears testimony to the versatility of Jean-Guihen Queyras that he regularly appears in concert with such ensembles specializing in Baroque music as the Freiburg Baroque Orchestra and the Akademie für Alte Musik Berlin.
An event jointly organized with Liszt Academy.
Our offer
A 60-minute tour starts every day at 13:30, 15:00 and 16:30 in English. To request a tour in other languages (Italian, Spanish, German, French and Hungarian), please get in touch with the OperaTour team. Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances.
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
One of the goals of our production is through our new and modern re-adaptation, to capture present-day Hungarian reality.
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