The Wooden Prince / Bluebeard's Castle
László Velekei / Béla Bartók
THE WOODEN PRINCE
Béla Bartók
BLUEBEARD'S CASTLE
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Last event date: Sunday, February 26 2023 11:00AM
László Velekei / Béla Bartók: The Wooden Prince
Contemporary ballet - Premier
“There is no date in the half-a-century history of our Opera House as important as the premier day of Béla Bartók’s first pantomime ballet The Wooden Prince on 12 May 1917. It was the first time that the Hungarian spirit, the genius of Vörösmarty, Petőfi and Ady’s nation was expressed in its true greatness and absolute authenticity in the music played in the Hungarian opera”, writes musicologist Aladár Tóth, who later became the director of the OPERA. The piece that has been part of the repertoire almost constantly in the 105 years passed since its original premier has been staged by several renowned choreographers. This mixture of a fairytale-like world of a forest and the realistically deep and human struggles of men and women, is brought to life in the 2022/23 season by László Velekei, ballet director of Győr Ballet.
Authors
Conductor: Balázs Kocsár
Choreographer: László Velekei
Composer: Béla Bartók
Libretto: Béla Balázs
Dramaturg: Alexandra Csepi
Set designed within Steffen Aarfing's set of the Bluebeard's Castle by: István Rózsa
Costume designer: Nóra Rományi
General Cast
Princess: Lili Felméry | Yourim Lee | Ellina Pokhodnykh
Princess: Lili Felméry | Yourim Lee | Ellina Pokhodnykh
Prince: Gergő Ármin Balázsi | Boris Zhurilov | Nyikolaj Ragyus
Fairy Witch: Jessica Carulla Leon | Maria Yakovleva | Lea Földi
Wooden Prince: András Rónai | Yago Guerra | Motomi Kiyota
Béla Bartók: Bluebeard's Castle
Contemporary opera
Authors
Conductor: Balázs Kocsár
Composer: Béla Bartók
Librettist: Béla Balázs
Director: Kasper Holten
Set designer: Steffen Aarfing
Lighting designer: Ulrik Gad
Dramaturg: Judit Kenesey
English surtitles: Péter Zollman
General cast
Judith............................ Szilvia Vörös
Bluebeard..................... Gábor Bretz / András Palerdi
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It is always a thrill to reflect on the fact that, even though the vast majority of Richard Wagner's oeuvre consists of his operas and music dramas, and the singers who perform in them on the world's top stages are exceptional artists, the most popular parts of these works, which can also be played independently, are the orchestral sequences.
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