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Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement.
János Arany’s epic poem is an enduring classic of Hungarian literature, with turns of phrases that are still parts of common parlance, and a hero who has been revived in opera, animated film, physical theatre production and monodrama.
Nosferatu returns to walk among us: the renaissance of vampire stories on screen and stage is no coincidence, as they still encapsulate our deepest fears, desires, and questions about mortality.
A Voices of the Future – A jövő hangjai Magyarország egyik legnagyobb, középiskolásokat megszólító kulturális programja, amelyben ötszáz diák vállalkozik arra, hogy hónapokon át együtt készüljön, majd a Müpa színpadán adja elő a zeneirodalom kiemelkedő alkotásait.
Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.
Jörg Widmann is a musical polymath par excellence. He is not only one of the greatest living masters of his instrument, the clarinet, but also an excellent composer, orchestrator and conductor. His compositions are palatable, entertaining, thought-provoking, and inventive. His programs are harmonious and carefully selected.
Wandering Gypsies leading adventurous lives and gallant yet ridiculous nobles abusing their power are the main characters of the animated film Szaffi. This adaptation of Mór Jókai's classic novel The Gypsy Baron is by now familiar to several generations of Hungarians.
Jakub Józef Orliński is one of the most exciting performing artists of our time.
Why is the 400-year-old story of Romeo and Juliette, the world’s best known romantic tragedy, still so relevant today? Because love is eternal, the rebelliousness of youth persists, and the world is still filled with inexplicable contraditions.
Jazzbois first burst onto the scene at the 2017 Müpa Budapest Jazz Showcase. By 2023, they were hosting Kaláka as guests at the Festival Theatre, and, a couple of years later, they were conquering major international festivals: the Leverkusener Jazztage, the Montreux Jazz Festival, Jazz à Vienne, and the Montreal Jazz Festival, to name but a few. Jamie Cullum also dedicated an entire BBC radio show to the band, including a conversation with Viktor Sági.
We have made an exception in this case and will be admitting viewers even if they haven’t brought any rice, candles, newspapers or toilet paper to the screening. In fact, we’ll even let you in without wearing one of the costumes popular among hard-core devotees of The Rocky Horror Show. The musical that inspired the film had already gained its own cult following in theatres as early as 1973. This is a parody that draws its humour from sci-fi and horror films.
This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?
The Hungarian National Dance Ensemble’s 2024 production conceived during its time as Ensemble of the Season offers a glimpse into the unbridled and cheerful fun of the carnival.
Let’s imagine the opera house is just a few steps from the church, because tonight is the night the organ pipes will bring the most thrilling moments of opera to life.
Season Ticket ‘Lehel’
The dice and the stopwatch will be coming out again at the Béla Bartók National Concert Hall as it hosts another round of musical ‘battle’. When we talk about instrumental duels in the Hungarian capital these days, it is no longer necessarily Bach and Marchand, or even Liszt and Thalberg, that we are thinking of, because we have our own riveting concert series right here at Müpa Budapest.
When we think about words being used to create art, that can mean two things: literature and song lyrics.
BACH / BEETHOVEN / STRAVINSKY // Tetzlaff / Keller J. S. BACH: Contrapunctus XIX (A fúga művészetéből, Luciano Berio feldolgozásában) BEETHOVEN : D-dúr hegedűverseny, op. 61 J. S. BACH: Két prelúdium és fúga a Das Wohltemperierte Klavierből (Stravinsky feldolgozásában) STRAVINSKY: Tavaszi áldozat
Purcell: Music for the Funeral of Queen Mary – March, Z. 860 Elgar: Cockaigne Overture, Op. 40 Britten: Peter Grimes, Op. 33a – Four Sea Interludes
Confinement and isolation, freedom and endlessness. FrenÁk’s emotionally charged choreographic structures use dynamic forms of movement to gain visibility and captivate the audience. The performance moves on the borderline between harsh reality and imaginary visions, where listening to our inner voices demands an unconscious balancing act on the edge of madness.
Elgar: Cello Concerto in E minor, Op. 85 Elgar: Seranade for Strings in E minor, Op. 20
The guest appearance of the world-famous American maestro Lawrence Foster, who represents the senior age group of the international community of composers, promises to be among the outstanding events of the season. The musician with Romanian parents has conducted the Hungarian National Philharmonic on several occasions and each visit has attracted an enthusiastic response.
How does the forest make music? What is the rhythm of the seasons? In this musical puppet show, the artists of the Liszt Ferenc Chamber Orchestra and the Bábozd Zöldre Company playfully present an encounter between nature and classical music.
Nyíregyházi Cantemus Vegyeskar (karigazgató: Szabó Soma) Budafoki Dohnányi Zenekar Vezényel: Hollerung Gábor
Tárkány-Kovács Bálint verseit elsősorban a Tárkány Művek lemezeiről ismerhette meg a közönség, ám ezek csupán három évtizednyi költészetének töredékét mutatják föl. Általában megzenésített versekről van szó, itt azonban olyan dalokról, amelyek megmaradtak versnek, mert ének helyett a beszéd maradt elsődleges médiumuk.
Although the concept behind the productions has always been a mature one, over the years the Ring has been rejuvenated within the framework of a constant idea and reborn in the details. Another permanent feature is the conducting method - one combining humanism with perfectionism - of music director Ádám Fischer.
Every year since 2008, this festive gala of Hungarian folk and world music has filled Müpa Budapest to bursting. On this occasion, the evening will be framed by the Moldavian and Gyimes dance house music of Róbert Kerényi and the Szigony Band, while the still-youthful musicians of the Sarjú Band are also experienced dance house performers.
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