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The globally beloved Portuguese genre of fado is already familiar to the Müpa audience, and now one of its greatest contemporary stars is visiting Budapest for the first time. Nominated for a Latin Grammy, Carminho is a true heir to her mother, Teresa Siqueira, and was celebrated as the genre’s great hope in 2005, even before she reached the age of 20.

Robert Schumann 3. (Esz-dúr, „Rajnai”) szimfónia, Op. 97 Szünet Richard Wagner A walkür – Wotan búcsúja és tűzvarázs A koncert az Iván mesél sorozat része.

Michael Mayo’s family legacy and natural talent paved the way for him to blossom as an artist and eventually achieve global fame. As the third vocalist to graduate from the Thelonious Monk Institute of Jazz Performance, he has worked alongside the institute’s founder, Herbie Hancock, as well as with Kneebody, Christian Sands and Gretchen Parlato.

Performance by final-year students of the Keleti István High School for Art

Szüts Apor – zongora Budafoki Dohnányi Zenekar Vezényel: Hollerung Gábor

A band committed to modernising Indian classical music, Araj consists of five young musicians considered in their homeland to be the outstanding performers of their generation. Formed by tabla player Ishaan Ghosh, all members are virtuosos of their instruments (tabla, sitar, bamboo flute, sarangi) and vocal techniques, and their interplay breathes new life into the Indian classical tradition.

BACH / MESSIAEN / LIGETI / BEETHOVEN // Kodály Kórus / Keller J. S. BACH: Ricercar a 6 (A Musikalischen Opferből, Webern feldolgozásában) MESSIAEN: Les Offrandes oubliées LIGETI: Lux Aeterna BEETHOVEN: 9. szimfónia, op. 125

Köteleket eloldani, vitorlákat kibontani, indul a BaHorKa Társulat zenés hajója! A Müpába már szinte hazajáró csapat teljesen új oldaláról mutatja be a magyar tengert.

In the original language, with Hungarian subtitles. The discussions before and after the screening will be conducted in Hungarian.

What's wrong with Steve Vai or Joe Satriani playing Beethoven or Paganini on an electric guitar? (Or Itzhak Perlman playing a musical?) It’s just artistic crossover, right? Or might it be something else?

Where does the compass point when the imagination is in control? Eszter Bíró’s latest show invites the whole family on a playful expedition: with songs and stories, we traverse continents and eras to discover the power that lies in curiosity and singing together. During the concert, the children’s clapping will find the rhythm, and their voices the melody while parents gather some new ideas for ways to weave music into everyday learning.

In the original language, with Hungarian subtitles. The discussions before and after the screening will be conducted in Hungarian.

Known for her sensitive interpretation of roles, the Finnish soprano Camilla Nylund will once again demonstrate in this evening of lieder what an outstanding performer of the German repertoire she is.

Born in Vilnius and with Armenian roots, the soprano Asmik Grigorian is one of the biggest favourites – and no longer an outside favourite – on today’s international opera scene.

A Journey Through the Realm of the Pipes

This programme is like a lavishly laid festive table set in the heart of Krakow: behind the dishes lie deep emotions, rich tradition and special musical seasonings. It kicks off with Stanisław Moniuszko’s fabulous fantasy overture, which combines a pinch of romance and a helping of fairy dust with lots of dramatic magic.

An elegantly light repast that feels like it could be served in an aristocratic Viennese palace – under crystal chandeliers and accompanied by delicately tinkling cutlery and heavenly music.

Season Ticket ’Lehel’

PHILHARMONIC CARNIVAL

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

Confinement and isolation, freedom and endlessness. FrenÁk’s emotionally charged choreographic structures use dynamic forms of movement to gain visibility and captivate the audience. The performance moves on the borderline between harsh reality and imaginary visions, where listening to our inner voices demands an unconscious balancing act on the edge of madness.

Elgar: Pomp and Circumstance – March No. 1, Op. 39 Britten: Matinées musicales, Op. 24 Britten: Simple Symphony, Op. 4 Elgar: The Crown of India, Op. 66 – March of the Mogul Emperors

Three stories taking place over the course of a single night in Memphis, seen from three different points of view. Jim Jarmusch has come up with an incredibly exciting storytelling technique for this film. (He has often chosen unusual narrative forms in his later works.) Furthermore, he only reveals it in the second part of the triptych.