Film

122 program


L'abbaglio
Italian historical drama, 131 min, 2025
in Italian, with Hungarian subtitles

It’s not easy to navigate the world of country music with Old World ears. Even defining it is no straightforward task, after all, how do Johnny Cash, Bob Dylan, Nick Cave and Taylor Swift all fit together?

Vermiglio
Italian-French-Belgian historical drama, 119 min, 2025
in Italian with Hungarian subtitles

La ragazza di Bube
Italian-French crime, 109 min, 1963
in Italian, with Hungarian subtitles

Three stories taking place over the course of a single night in Memphis, seen from three different points of view. Jim Jarmusch has come up with an incredibly exciting storytelling technique for this film. (He has often chosen unusual narrative forms in his later works.) Furthermore, he only reveals it in the second part of the triptych.

Strike - Figli di un'era sbagliata
Italian drama, 106 min, 2025
in Italian, with Hungarian subtitles

Like Woody Allen, Martin Scorsese is passionately in love with New York City. There is no doubt, however, that Scorsese sees a different city. His is dirtier, edgier, and slightly more full of crime and criminals. Scorsese’s home turf is Little Italy, in Lower Manhattan. On the other hand, New York, New York clearly shows that the two are both jazz fans.

In the original language, with Hungarian subtitles.

The discussions before and after the screening will be conducted in Hungarian.

Gioia mia
Italian drama, 90 min, 2025
in Italian with Hungarian subtitles

Woody Allen: Everyone Says I Love You (1996) - Music Till Death Do Us Part / MÜPA FILM CLUB Sold out
13 Event

In the original language, with Hungarian subtitles.

The discussions before and after the screening will be conducted in Hungarian.

Come gocce d'acqua
Italian drama, 97 min, 2024
in Italian, with Hungarian subtitles

In the original language, with Hungarian subtitles.

The discussions before and after the screening will be conducted in Hungarian.

Il ciclone
Italian comedy, 93 min, 1996
in Italian, with Hungarian subtitles

What's wrong with Steve Vai or Joe Satriani playing Beethoven or Paganini on an electric guitar? (Or Itzhak Perlman playing a musical?) It’s just artistic crossover, right? Or might it be something else?

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