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kamara.hu/3 The Glass Bead Game

kamara.hu/3 The Glass Bead Game

KAMARA.HU – CHAMBER MUSIC FESTIVAL OF THE LISZT ACADEMY
kamara.hu/3
The Glass Bead Game
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Last event date on this page: Saturday, November 17 2018 5:00PM


Helena Winkelman: The Clock
Messiaen: Quatuor pour la fin du temps

Artistic directors of the festival: Izabella Simon and Dénes Várjon
Reto Bieri (clarinet), Alexander Janiczek (violin), Dénes Várjon (piano)
Merel Quartet: Mary Ellen Woodside, Edouard Mätzener (violin), Alessandro D’Amico (viola), Rafael Rosenfeld (cello)

What is the connection between the works by Helena Winkelman and Olivier Messiaen? Time. The Swiss-Dutch composer set Shakespeare’s 12th sonnet to music and titled it The Clock. The poem examines the passage of time from the ticking of the seconds through Nature’s decline to the inevitability of death. It was written for Winkelman’s string quartet, Merel Quartet, and premiered at the Engelberg Chamber Music Festival. The standout moment of the performance was when alongside the musical imitations, the actual church bell of this picturesque town started to toll, ruthlessly reminding all of the passage of time. Time is also present in Messiaen’s quartet written and performed while a POW in 1941, although instead of the passing of time the focus is on perfection. In its spirituality, the work, which is completely divorced from worldly things, has an affinity with the Order, the secretive brotherhood of Hesse’s The Glass Bead Game.


Presented by
Liszt Academy Concert Centre

Tickets:
HUF 900

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Giuseppe Verdi AIDA Opera in three parts, four acts, in Italian, with Hungarian, English, and Italian subtitles

A 60-minute tour starts every day at 13:30, 15:00 and 16:30 in English. To request a tour in other languages (Italian, Spanish, German, French, Greece and Hungarian), please get in touch with the OperaTour team. Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances.

Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.

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